Category Archives: Feature

Professional wrestling creates art through stories

By: Copper Gregg /Copy Editer

 The music industry is an ever changing landscape, fueled by constant technological advancements and means of production. Despite this continuous change, one particular method of releasing music has remained the standard: albums. 

     Years ago, the album model of releasing music just made sense. With music being exclusively physical, albums allowed listeners to purchase one vinyl, compact disc or cassette, giving them access to a good number of songs by their artist of choice.

     It also allowed artists to release a number of songs at once. Releasing one song at a time would likely not go well as people would have to buy a physical copy of each individual song. 

     Now living in a world where music is easily accessible at any time online, it is no longer β€œnecessary” for artists to put out full albums. Musicians in the past have released singles; however, releasing an individual song has never been easier with streaming services.

     This begs the question; why are albums still so important today? 

Photo by: Copper Gregg

     Albums allow an artist to go far beyond the creativity of simply releasing individual songs. There’s so much more that goes into an album than a single which lets an artist truly make a large and meaningful work of art.

     The physical aspect of albums is also up for question as many artists to this day still release physical copies of their records. This once again allows for an immense amount of creativity from an artist.

     With modern production methods, the possibilities for unique vinyl records in particular feel nearly endless. Many artists have, and continue to do unique things to the actual disks, like different colors, printed images and patterns, zoetrope effects or different shaped vinyl altogether. The band Glass Animals, for example, released a decagon shaped pressing of  their album β€œILYSFM.”

     The other reason why the physical aspect of albums is so special is the simple process of actually listening to it. By using physical media, you add an additional tactile element to the listening experience. With vinyl, there’s something almost ritualistic about putting the record on the turntable, cleaning it and placing the needle in the grooves that makes the listening experience so much more enjoyable.

     Album covers are also a massively important aspect of what makes them so special. The album cover itself can tell a story, and iconic album covers, such as Pink Floyd’s β€œThe Dark Side of the Moon,” or Fleetwood Mac’s β€œRumors,” often transcend the album itself and become culturally significant independently of the actual songs.

     One specific type of album is the pinnacle of why albums are so important and relevant to this day: concept albums.

    A concept album is when the album as a whole tells a greater story or shared theme, which allows for artists to tell a much larger and more complex story than is possible in one song. 

Photo by: Copper Gregg

     Glass Animals’ β€œHow to Be a Human Being,” on its own is a great album that has many catchy and well-made tracks. What makes this record so special is the theming that connects all of the songs. Every song is a story that the band was told while on tour, and each song corresponds to a character displayed on the cover of the album. 

     The album would function completely fine without this added layer of story, but its addition is what makes this album have the emotion and nuance that it has. 

     Other concept albums tell one continuous story that typically follows one or multiple characters. 

     An example of this is My Chemical Romance’s β€œThe Black Parade,” which tells the story of a man dying of cancer, reflecting on his life. 

     There is no one size fits all formula for concept albums, and it’s partially because of this fact that concept albums remain so unique and important. Each one tells its own unique story that is different from all the others. 

     The artistry and creativity facilitated by the idea of albums is justification enough for keeping them around. For musicians who care about their craft and want to express themselves and their artistic strength as much as possible, the album still reigns supreme as the way to do so. 

Q&A with inspiring actor and English teacher Morgen Kyser

By Gianna Jacobs / Staff Writer

Q: At what theater do you currently perform?

A: I’ve had the opportunity to work at a variety of theaters through the years–Theatre 8:15, Wolf Creek Players and Dynamics Community Theater have been my most recent.

Q: Are there any shows that you are in currently?

Pictured above, Morgen Kyser performs as the baker’s wife in β€œInto the Woods.” This production ran in 2019 at The Jackson Players Theater.

A: Since I began directing at SMFHS, I keep my acting to the summers. Directing three shows a school year alongside Mr. Hinman is a time consuming (but very fun and rewarding) gig, so I’m not in any shows currently. I am currently working on directing our upcoming production of Into the Woods! I encourage everyone to come check it out April 17-19.

Q: How does your experience as a theatre actor influence the way you teach English?

A: I always like to add a little theatrical flair to my teaching. For student birthdays, I encourage my classes to stand on chairs and belt out the birthday song; when reading a literary text, I like to use different character voices and inflections and when standing in front of the class at any given time, I like to try to be as engaging as I can be.

Q: What has been your favorite role to perform?

A: Oooo, what a mean question! Every role I’ve gotten to play has a special place in my heart. I guess I have to say getting to play Ariel in β€˜Footloose’ was my favorite because it directly led to me becoming a director. It was the summer after my first year of teaching (at a different school), and some of my administrators came to see me perform. After the show, they asked me if I would like to run the school’s drama club and direct the school’s play. A castmate from that show also asked me if I would co-direct a show with him. I said yes to both and ended up directing two shows at one time, which was a wild thing to do for my directing debut! Fast forward a few years, and here I am now. Had I not had that role of Ariel, I’m not sure I’d even work at SMFHS, and that would be tragic because I love what I do and the people here so much!

Q: How do you prepare for a character on stage?

A: I’m a big believer that character’s motivation should drive them–I always ask myself, “What does this character want in this scene, and how are they going to try to get it?” I think the answers to those questions help with building the nuances of a character.

Q: What’s the biggest lesson theatre has taught you?

A: They say there are no small parts in theatre, and it is 100% true. Every single person matters. Theatre is a collaborative effort, and everyone contributes to creating something that is larger than the sum of its parts. I’ve been in leading roles, I’ve been in ensemble, I’ve run tech, I’ve moved a single bench in a production–every part I’ve ever played has mattered. This lesson is true of life, as well. Everyone matters. YOU matter. As my boy William Shakespeare once wrote, “All the world’s a stage, And all the men and women merely players; They have their exits and their entrances, And one man in his time plays many parts.” The part you are playing right now is an important one, and the ones you’ll play throughout your life will be important, too.

Q: Do you get nervous before performing? If so, do you have any techniques to help?

A: Oh for sure! Fighting those nerves starts the second I get my script–being prepared is the best way to combat the nerves. I try to learn my lines and my blocking as soon as I can. When the nerves creep up, I can remind myself that I am prepared. There is also something to be said for the healing elements of a deep breath or two before stepping on stage.

Q: How does performing help you better understand the characters in plays you read for teaching?

A: Can I tell you a secret? I hate simply reading plays. To sit with a script and just read it in my head is so boring to me. I think plays are meant to be performed (or read aloud at the very least). Through my experience with performing, I find that I want to hear a character’s voice–I want to think about what inflections they would use when saying any given line. I also want to hear how different people interpret that character–there’s often not just one “right” way to do it. When I teach a play in class, I’ll assign roles to students, and it’s always neat to see how different students approach the same character. In one class, a student may be shouting Hamlet’s lines, where in another, they may be whispering. Theatre truly is an art, and art is driven by the artist.

Q: What advice would you give students interested in theatre or the arts?

A: DO IT! At the end of every show, Mr. Hinman and I ask seniors to give a speech at our cast parties, and so many of the students say the same thing: “I wish I had joined sooner!” There are so many opportunities to join at our school alone–we have Drama Club every Wednesday from 2:45-3:45 in the auditorium, there’s the All-Class Play in the fall (keep an eye out for auditions and crew applications around September), the Senior Class Play (for senior actors and all grade-levels of crew members) and the All-School Musical (watch for auditions and crew applications for the latter two around late November). When in doubt, reach out to Mr. Hinman or me (Ms. Kyser).

Q: What first made you fall in love with acting?

A: When I was four years old, I started dance classes. When I was nine, my parents told me I had to choose between dance or sports. I decided on the latter, but I missed dancing. I saw a flyer in my elementary school for auditions for a production of Babes in Toyland, so I tried out and the rest is history.

Q: Who was your biggest inspiration when you started performing?

A: My friends, hands down. I learned so much (and still learn so much) from my friends when acting with them. There’s something so special about collaborating with the people you love on a creative project.

Q: Was there a specific moment when you realized you wanted to pursue theatre seriously?

A: I think theatre pursued me, not the other way around. There were so many times in my life when I thought I would be done with theatre, but it always found me again and again. I’m a person of faith, and I truly believe every time theatre popped back up in my life it was God directing me to here and now.

Q: What was your very first role?

A: I had the esteemed role of Toy Soldier #25 (or something like that) in β€œBabes in Toyland” when I was 9 years old.

Q: How do you prepare for a new role?

A: Aside from attending rehearsals, I study. I quiz myself on my lines and my blocking, I dig into the character’s motivations and I read over the script often.

Q: What advice would you give students who are nervous about auditioning?

A:  Some of the best advice I’ve ever heard is to “do it scared.” Life is filled with opportunities that make us feel nervous or scared–we should never let that keep us from trying. We have big feelings about things because they matter. If you want to audition, go for it! If you want to fight off some of those nerves by being prepared, make sure you know what the expectations are for the audition so you can correctly prepare. Need to perform a monologue for the audition? Pick one that aligns with the character you’re auditioning for and start memorizing early. Not sure where to start? Reach out to the director(s), and ask for advice. Just don’t miss out on being a part of something you want to be a part of because of nerves–you’ll thank yourself for your bravery later. 

A Child’s Need for Color

By: Finley Messella, Copy Editor

 In recent years there has been social media trends revolving around the color beige; more specifically the lack of vibrant colors and how they impact a child’s development.

     Babies take in their surroundings as soon as they are born. They absorb things like sound and sights to help them learn about the world around them.

     While a neutral color scheme does not necessarily harm a child, it can affect the child’s overall brain simulation and engagement. 

     According to Children’s Wisconsin Medical Clinic, β€œA lack of stimuli can affect a child’s mood or behavior. In the long term impact their creativity and imagination, which is because of slow cognitive growth.”

     Color plays an important role in childhood development because it helps stimulate the brain and support learning from an early age.

     According to Psychology Today, β€œBright colors like red, yellow and blue often grab children’s attention,” making it easier for them to stay focused on toys, books and classroom materials.

     Colors can influence emotions too–warm colors may create excitement and energy, while cool colors like blue and green can promote calmness and concentration. 

     According to the National Institute of Health, β€œAnger entails reddening of the face, so anger is metaphorically described as β€˜seeing red,’ and positive emotions and experiences are often depicted in terms of lightness, so lightness is metaphorically linked to good rather than bad.”

     Even just seeing certain colors can impact a child’s development. Specific colors can support creative and cognitive processes as kids engage in activities like art or exploration

     According to Psychology Today, β€œSeeing green has been linked to enhanced creative thinking.”

     Using color in learning environments can improve memory, since kids often associate information with specific visual cues. As children grow, exploring color through art allows them to express feelings and build creativity.

     According to the National Institute of Health, β€œBy six months, infants go from very limited detection of color as newborns to a more sophisticated perception of color that enables them to make sense of objects and the world around them.”

     Color awareness is a part of how young children begin to organize their visual information. 

     According to the National Institute of Health, β€œInfants can perceive the dimensions of color and categorize it.”

     Exposure to different colors also helps children develop visual skills and learn to recognize patterns and differences.

     According to Children’s Wisconsin Medical Clinic, β€œIntroducing children to a vibrant world of color can stimulate visual development because bright colors and patterns can grab a baby’s attention and help them learn to track and recognize objects,” which supports early visual skills and sensory growth.”

     Even young children use color as part of how they learn about and respond to their environmentβ€”not just adults. 

     According to Psychology Today, β€œColor is everywhere–infants and children relate to the world through color.”

     Overall, color is not just decorative; it actively supports cognitive, emotional and sensory development during childhood.

Living with an unknown mental disorder

Personal Narrative

By Zoey Davis, Editor

     In 2021, I was going into seventh grade. I had no friends; I had lost touch with my old friends over the summer because of conflicts and growing apart. I felt very lonely and embarrassed, and everyone had already built their own friend groups. 

     I experienced extreme worry and self-consciousness walking into school, being in class and sitting alone at lunch. I had only a few people I would talk to, and none of them on a personal level. 

      As school continued, people started to talk to me. A girl who sat beside me in my science class complimented my makeup. This same girl sat behind me in the homeroom, as we had similar last names. She introduced me to her friend group. I finally made friends of my own after losing all my previous ones.

     Throughout seventh grade, I noticed I would get awful stomachaches and horrible anxiety. In turn, I started talking to the guidance counselor at Kimpton and spending more time in the nurse’s office. I spent months complaining about the stomachaches I was having, how they affected my sleep, my appetite and my ability to even get up some days. 

     After a few months of missing school days and spending back-to-back periods in the nurse’s office, my mother finally scheduled a doctor’s appointment. My doctor told me it was probably just normal anxiety and that it would pass. 

     I continued feeling this anxiety and extreme pain in my stomach until freshman year. My condition got worse, and I dealt with harsher anxiety, more stomachaches, heartburn and even shakiness in my legs. I was put on anxiety medication and medicine for both heartburn and stomachaches. 

     My condition stayed constant, and I started experiencing extreme anxiety attacks. There were days when I couldn’t even get out of bed–I was stuck in pain. The medication they had me on wasn’t working, including my pain medication. I started using larger amounts of Ibuprofen, amounts that would surely kill my liver. I completely abandoned my prescribed medications, filled with rage about the ineffectiveness of the medication.

         There were many days I struggled with the motivation to get out of bed, grappling with the mental and physical frustrations.  I felt too anxious or sick to get up, too overwhelmed by even everyday tasks. Other days, starting an assignment, cleaning my room or something as simple as talking with friends, felt like an impossible task to complete. 

     I felt as if no doctors were listening to me; every doctor’s appointment felt the same. Between Psychologists, Gastroenterologists, MFM’s, Neurologists, Cardiologists and Immunologists, I felt hopeless. Doctors kept ordering tests. I’ve gone through MRIs, scopes, brain tests, asthmatic tests and blood tests, and I continued to receive the same news, regardless of the specialists to whom I went.

     Fortunately, I was finally given one diagnosis among all those doctors and tests: Functional Neurological Disorder, also referred to as FND. Unfortunately, research on this disorder is scarce, and there isn’t much I can do to help with the diagnosis. FND is a disruption in the brain and body; simply put, my brain is sending signals to my body that it isn’t supposed to be doing. 

     I went through therapy to try and help my symptoms, ways I could β€˜calm’ myself down when experiencing an β€˜attack.’ Therapy did nothing for me, as there was no reason why I was having these symptoms. I couldn’t calm myself down when experiencing a symptom, as I wasn’t anxious, and it happened all the time. Again, my condition dwindled to anxiety. 

     I got angry about being diagnosed with no resolution, at therapy being a waste of time, at doctors for not listening to me and for being taken on and off medications I couldn’t even be on long enough to remember. I stopped taking all my medications and stopped going to therapy and doctors’ appointments. I gave up on my health, deciding to just work through it. 

          When you lose the complete motivation and physical capability to do most things, this also includes personal hygiene. Recently, I’ve been getting better at keeping up with my hygiene, but in earlier years, it was shameful. I was very embarrassed and riddled with guilt at the state I was in most days.

     I had days and weeks without showering, brushing my teeth and hair, etc. On days when it was physically impossible for me to get out of bed, my hygiene was the least of my concerns. Days where even just changing my clothes would be considered a win, showering seemed so far away. 

     My attendance also suffered immensely; I went the whole school year of my sophomore year without going a full week once, sometimes missing an entire week. My relationships also suffered with my friends and family. I stopped hanging out with friends, feeling too ill to go or stopped full communication. I felt as if my family couldn’t understand, that they didn’t believe me–I had arguments about my attendance, my social life and even my own condition. 

     I felt isolated, so I started throwing myself into my school work. I figured if I had anything, it would be education. I tried so hard to keep up with my classes, making up work as fast as I could, or studying harder to make up a test in two days. I achieved my goal; I ended my sophomore year with a 4.3 GPA, although I had 200 absent hours, not including medical absences. 

     Going into junior year, my stomachaches became less of an issue, and heartburn turned to once a month. Although new issues arose, the shakiness in my legs became worse, my heart rate was elevated above normal rates, and I couldn’t go a day without feeling like I was about to pass out. The shakiness developed into constant pain in my legs. At night, I can remember crying because the pain was so bad I couldn’t sleep. 

     I had to go back to the doctors; it was all too much to ignore. As I sat down for the first appointment back, I felt listened to, I felt heard. After many visits back, I was also diagnosed with Postural Orthostatic Tachycardia Syndrome, commonly known as POTS.  POTS is a cardiovascular disorder that makes my heart jump to high rates and makes me feel lightheaded, dizzy and nauseous. 

      Anxiety, FND and POTS all share symptoms that can make it difficult for doctors to diagnose, which is why it took my doctors 4-5 years to diagnose me, alongside ongoing health problems that haven’t been properly diagnosed. Chronic illness on top of a mental disorder that makes it hard to function mentally is exhausting.

     With the recent diagnosis, I didn’t know how to feel. I felt like it answered some questions but left others unanswered. I was glad for the diagnosis, as it would help my symptoms become more serious and real to others.

     Currently, I still suffer from chronic leg pain; I can’t stand up without my vision going blank, and the lightheaded feeling of passing out haunts me every day. I still have many specialists to see just to get some idea of my ongoing health and mental concerns.

     I live most of my days in constant worry about my grade, my family, my friends and especially my health. I can feel the strength of my legs deteriorating. I’m scared that one day it’ll get so bad I can’t walk anymore. I live in fear that I’ll never be healthy, and I’ll be stuck on medication for the rest of my life. A life that I thought would never happen to me is closer than I think. Actively feeling my own brain and body work against each other is terrifying.