Category Archives: Reviews

Hozier 2024 album inspires audience through history and Greek mythology

By Annika Young, Editor-in-Chief

     Hozier’s 2024 album, “Unreal Unearth,” incorporates mythology and history with modern societal problems, wrapped up in touching lyrics and haunting melodies. His album takes the listener through Dante’s Inferno, uncovering the nine circles of hell in his lyricism.

     Hozier’s music has often had many of the same ideals, focusing on conflict, war, and human greed. ‘Unreal Unearth’ begins with ‘De Selby’ Parts 1 and 2 starting the descent into hell. The songs are based on the novel “The Third Policeman,” by Flann O’Brien. In the novel, De Selby is an Irish philosopher and scientist studying the paradoxical mind. 

     The themes of the novel are reflected in the song, as his lyrics in Part 1 explore identity and reality. While Part 2 Hozier continues to use the motif of darkness, only following the romantic lyrics at the end of Part 1.

     Entering the first circle of hell, “Limbo,” is the song First Time. Limbo is the circle for those who, although never lived in sin, were never baptized. Those stuck in Limbo are cursed with perpetual sadness and a longing for God’s presence in their lives. At first listen, the song is a love song, but the song transforms in the middle where he begins recalling a moment where he was struggling but his mother left flowers on his counter. The song then takes on a new meaning–the circle of both life and death and how interconnected they are.

     “Francesca” is the next song on the album and is also the first song in the second circle, Lust. The circle of lust punishes lovers who have given in to the desires. The song is based on the two lovers, Francesca da Rimini and Paolo Malatesta, from Dante’s Inferno. Both fell in love with each other although Francesca was tricked into marrying his brother. They had an affair, were murdered and were sent to hell for their “uncontrollable lust.” Every lyric Hozier writes relates perfectly to this story and captures the love they had that was torn away from them due to the marriage.

     Continuing the journey in the circle of Lust is the song “I, Carrion (Icarian).” The title of the song is interpreted as Carrion meaning rotting flesh and Icarian meaning Icarus, a figure from Greek mythology. The woman in this story is keeping the world together for him. He even describes it as very heavy, but his love is surface-level. He does not care how hard it is. He asks her to float away with him, even though it is the irresponsible and unrealistic thing to do, and he knows the consequences risking both of their lives. 

     Entering the third circle of gluttony is the song, “Eat Your Young.” The theme of gluttony is immediately apparent in the first three lines, although the song is not discussing gluttony in a typical sense. 

     “Damage Gets Done” is in the fourth circle, Greed. The song is a journey of two lovers who used to feel that they had the whole world just by having each other. Their mindsets changed, and their desire to feel fulfilled resulted in the destruction of their relationship.

     The fifth circle, Wrath, is portrayed by the eighth song of the album, “Who We Are.” Wrath is repressed anger and the song describes the loss of someone who used to be important. The narrator explains how he didn’t see it coming and the relationship burning out by trying to become something it wasn’t. 

     The song “Son of Nyx” is the next song on the album but does not contain any lyrics. This song is listed as a part of the sixth circle, Heresy. The circle of Hersey is for those who have rejected the Christian doctrine. The eerie murmurs are soothing but growing instrumentals mirror those who are imprisoned in this circle in fiery, open tombs.

     “All Things End” is the second song in the sixth circle. This song, as represented by the title, discusses how it is normal for everything to end, and in this case it is referring to a relationship. The idea that a relationship and the promised eternal devotion to another person will end up being broken in some way, which can be seen as the narrator rejecting God or religion because God is seen as “eternally loving.” 

     “To Someone From A Warm Climate (Uiscefhuaraithe),” is in the seventh circle, Violence. This song is immensely complicated, with layers of meaningful lyricism, and it is also sonically beautiful. There are string instruments mixed in with a soft melody. The narrator through the lyrics is comparing their knowledge to how easy it was for them to love each other. The last lyric is the betrayal of his lover cheating on him. The violence in this song is the amount of love he felt for this person and the heartbreak that came from loving someone that much. 

     “Butchered Tongue,” stays in the Violence circle. This song references the loss of a language, in Hozier’s case, Gaelic. The forced and voluntary emigration out of Ireland as well as political efforts to get rid of the language have lessened the use of Gaelic and have led to loss of history and the feeling of having roots in Ireland. 

     “Anything But,” starts the eight circle of Fraud. The verses seem as though they are describing thoughtful things to do for somebody. Although it sounds like a love song, it is actually about rejecting someone, which is why it fits into the circle of Fraud.

     “Abstract” is the next song in the circle of Fraud. This song is about how as a kid Hozier watched someone hit an animal with a car and get out of the car to comfort the animal as it died. His lyrics explain how the person had no intention to hit the animal with the car, it just happened, just like how he didn’t try to fall in love but he simply had no choice but to not. 

     The ninth circle is Treachery and is represented by the song, “Unknown / nth.” The narrator falls in love, and he explains all of the things he would do to reach her. He calls her an angel and she reciprocates, calling him an angel as well; however, the lover has trapped the narrator and won his heart.

     The final song on the album’s initial release is “First Light.” “First Light” symbolizes the ascent, a turning point at the end of the Inferno that leads to the Purgatorio. This begins Dante’s difficult journey upwards. 

     Overall, Hozier’s album “Unreal Unearth” portrays societal issues through intense symbolism, allegories and a comparison to both history and Greek mythology.

K-Pop Demon Hunters

By Lukas Prominksi / Staff Writer

Every year, there’s one movie that really impacts pop culture more than any other. 2022 had “Minions: The Rise of Gru,” 2023 had “Barbie” and 2024 had “Deadpool & Wolverine.”

Every one of these movies actually makes sense to be culture-changing. All of them are based on existing ideas that people recognize, and it makes sense that they would sell so many tickets… So why did this year’s “”KPop Demon Hunters” have such an impact?

It almost seems to defy logic; “KPop Demon Hunters” is an animated film based on no pre-existing media that took the world by storm this year. It has more views than “Squid Game,” “Wednesday” and “Stranger Things,” some of the most culturally significant television shows of all time.

Thinking about it logically, “KPop Demon Hunters” achieved this feat for three reasons: The film is on a streaming service most people have, the film has stunning animation and the film has catchy music.

Start with the first point: “KPop Demon Hunters” is on a streaming service that most people have. According to The Streamable, Netflix is the most subscribed streaming service across America. While Disney+ has 57.8 million subscribers in North America and HBO Max has roughly 60 million, Netflix has nearly 90 million of them across the same demographic. 

Because the film is so accessible to kids looking for something children-oriented to watch, it’s found an audience in young kids who want to later show their parents, siblings and so on and so forth.

But why specifically this movie? That brings me to the second reason the film has had such a big impact:  the animation.

Sony Pictures Animation, the animation studio that produced “KPop Demon Hunters,” has had some major hits lately. While they made plenty of B-movies throughout the mid-2000s and early 2010s, they really started to gain the public’s interest with 2018’s “Spider-Man: Into the Spider-Verse.”

From there, through the critically lauded “The Mitchells vs. the Machines,” and into 2023’s sequel “Spider-Man: Across the Spider-Verse,” Sony Pictures Animation has been bringing animation as a medium forward for the last several years. From the serious animation of the “Spider-Verse” films to the more cartoony “Mitchells” art style, they’ve revolutionized the use of the “2.5D” art style, a type of animation that uses 3D models to attempt to recreate 2D art, allowing for what appears to the audience as realistic depth perception within a 2D cartoon. It’s seemingly genius.

“KPop Demon Hunters” uses the same realistic art style of “Into”/”Across the Spider-Verse,” but instead of using flashing vibrant colors to amplify action sequences, it uses an almost Pixar-like skybox with pretty stars, lighting and effects throughout the air.

While people seemed to love the quick action scenes of the “Spider-Verse” films (especially given that Box Office Mojo calculates “Across the Spider-Verse” as the second-highest-grossing animated film of the year it released), it’s hard to deny that the creators, animators and modelers spent so much time on the look of “KPop Demon Hunters” that it rivals what many (IMDb, for example) consider to be the best animated film of all time.

These pretty skylines, beautiful lighting and great models are hard to ignore regardless of how well-versed in film someone is. Considering how jaw-droppingly pretty it is, it’s no surprise that children would fall in love with the film. I actually, however, don’t even think that’s the biggest thing regarding kids liking the film so much. The movie’s arguably biggest selling point (and what really skyrocketed it into popularity) is the music.

While South Korean pop (K-pop) has definitely seen American charts before (think BTS’ “Butter,” “Dynamite” and BLACKPINK’s “How You Like That”), it’s never been quite as ‘in-the-media’ as it is in relation to this film.

The film starts with an entirely original song by K-pop artists EJAE, Audrey Nuna and Rei Ami. This trend continues throughout the entire film.

Every single song in the movie is sung by real K-pop artists who (after the movie’s release) are Top 50 Most Monthly Listeners list on Spotify. These charts are amplified by the sheer amount of word-of-mouth in relation to the movie. With children having backpacks and water bottles with characters on them and playing the music in the movie, they’re inadvertently convincing their peers to watch the movie.

What’s great about more and more children watching the movie is that they’re exposing themselves to foreign cultures while also having fun. Rumi, Mira and Zoey, the three leads in the film, are actually modeled after studying Korean culture, and side-by-side comparisons between the film and real life are everywhere online.

Without any one of these three things (the ease of access, the beautiful animation and the catchy music), “KPop Demon Hunters” wouldn’t have had nearly the same impact that it’s had in the status quo. Something that would have been nearly unthinkable even just six months ago is now our reality, which is actually a great sign for cinema as a whole.

Getting children away from cinematic universes and sequels and towards original ideas is a great way to potentially expose them to films that they wouldn’t have considered before and to expose them to different cultures.

‘Bones and All’

By Lukas Prominski

     Luca Guadagnino’s “Bones and All” is one of the most thrilling movies I’ve ever seen. For a movie about cannibals on the run and shockingly little action, the intense moments that it does have are extremely well done.

     The film stars Timothee Chalamet and Taylor Russell as the story’s lead protagonists. It opens with Russell’s character Maren sneaking out to hang out with friends, only to bite off the hand of one of the girls she’s with. 

     Soon after, her father leaves her to fend for herself, citing the fact that he can’t deal with “whatever problem she’s got,” while handing her an address to find her mother, which leaves her in an unfortunate spot, unable to provide for herself and find friends.

     Eventually, she meets actor Chalamet’s character Lee, another cannibal who is also, coincidentally, on the run with no friends or family. The two hit it off immediately, starting a long road trip for Maren to find her long-lost mother. 

     They encounter several other characters on the way, but, staying spoiler-free, none pose any actual importance to the plot other than her mother.

     The acting performances from the two leads are phenomenal. Chalamet plays a very stone-cold teenager, hardened by the world around him. It’s a nice contrast from the normal characters he plays, like the lead in “Wonka” or the laid-back “cool kid” in “Lady Bird.” Despite this, he plays the part well. 

     Russell’s character, on the other hand, hasn’t had the same amount of experience as Chalamet’s, and the dynamic is both written and directed very well.

     The romance that blossoms between the two characters is great as well. Guadagnino’s directing really portrays how they feel about each other, despite the fact that there isn’t a ton of dialogue in the film.

     The cannibalism in the film is also really well done. The gore, while very realistic and graphic, provides an emotional reaction from the viewer.

     Not only that, but the cannibalism in the film as a whole is up to interpretation. Obviously, there’s the interpretation that what happens in the film is real, but the cannibalism could also be a metaphor for anything from love to desire.

     Ultimately, Luca Guadagnino’s “Bones and All” is a great watch. Chalamet’s and Russell’s performances are great, the writing is phenomenal and the metaphors that arise from the premise of the film are very well done as a whole.

‘10 Things I Hate About You’

By Lillias Cummings

     “10 Things I Hate About You” is one of the most iconic and well-known rom-coms for teens and adults since it first came out in 1999.

     The movie begins with a new student, Cameron James played by Joseph Gordan-Levitt completely head over heels for one of the most popular and kind students, Bianca Stratford played by Larisa Oleynik. There’s only one problem–she’s not allowed to date until her sister Kat does.

     Kat Stratford, played by Julias Stiles, is a beautiful, yet abrasive teenager who has absolutely no interest in dating and is very stubborn about the subject.

     Cameron and his friend Micheal decide to come up with a plan to get the school bad boy, Patrick, played by Heath Ledger, to date Kat, so Cameron can date her sister Bianca.

     Cameron, to speed up the process, deceives another popular kid interested in Bianca and says he will be the one to date her if she gets Patrick to date Kat.

     After Patrick agrees to get involved with Kat, they gradually become friends and more. Patrick commits a series of funny and sweet gestures to win her over.

     The end of the movie is sweet and the perfect ending to a great plot, the movie comes to a perfect full-circle ending without any sense of something being missing or being open-ended.

     The movie’s coloring is also extremely vibrant, making it the perfect film to get ready for the bright colors of spring and summer that are slowly approaching. The vibes of the movie along with the colors shift it into the movie to watch when especially missing the summer while amid a dreary cold winter. 

     The chemistry between Kat and Patrick is electric once they begin to become fond of one another as well. They perfectly match each other with their initially stubborn and cold personalities that slowly stop when their walls come down for one another. They begin to show care and love for each other, which is the opposite of their initial personalities. There is an immense amount of character development between all the characters that makes you love them even more.

      They also make each other more thoughtful to other people. Once they truly get together, Kat and her sister Bianca get along better and Patrick becomes more friendly to the people around him who truly mean no harm to him.

     Teens tend to enjoy romantic comedies, as they perfectly grasp the kind of life some people desire. “10 Things I Hate About You” has the type of relationship many would love in the end, of course without the bribery and lies that came with their original relationship, but after Patrick truly realizes he loves her, he becomes the type of person any girl would want.

     “10 Things I Hate About You” is overall the perfect movie to get excited for the upcoming spring and summer with the beautiful colors, the character development, and one of the most iconic endings to a film.