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2025-2026, Entertainment, Reviews

Lillias Movie Memoirs: ‘Eternal Sunshine of the Spotless Mind’ Sunshine

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Lillias Cummings / Copy Editor

     If you had the choice to erase someone and every memory you ever had with this person, do you think you would take the chance to? After watching the movie “Eternal Sunshine of the Spotless Mind,” the answer became crystal clear to me.

      The movie follows Joel and Clementine, played by Jim Carrey and Kate Winslet respectively, in their troubled relationship and Clementine’s choice to erase Joel from her memory after their very intense breakup. After Joel finds this out, he decides to undergo the same procedure to erase Clementine from his memory. He comes to regret the decision midway through the procedure as he attempts to grasp on to any memory he has of Clementine.

     There is so much to unpack in “Eternal Sunshine of the Spotless Mind.” This movie changed the entire way I thought about my memories and how they connect to me as a person. I genuinely had to sit with myself and just think about some of my worst memories and what I would do if I could erase them.

     Even if our memories are bad, does that mean we should erase them? Or are those memories another part of your story that make you who you are? 

     I believe memories are what set you apart from the person standing next to you. All those experiences you have, whether they are good or bad, make up who you are as a person. Without them, you have nothing to make you different, or an individual in any way: Everything about us comes back to our memories and experiences. 

     The thought and care that went into the filming of this movie is absolutely insane. It plays out in such a non-linear and almost messy way, almost like how we recall our own memories.

     When we recall our memories, they are most of the time not going to be flawless and often will have parts left out or are overly emphasized. The director, Michel Gondry, recreates how we process our own memories so well it’s almost unsettling. 

     Specifically, I think of the scene where Joel is chasing after Clementine. He gets out of his car to go get her, and as he attempts to walk in her direction, he sees the exact car he just got out of but not in the place he parked it. He turns around to see Clementine walking in the opposite direction. As he runs after her again, he ends up right in front of his car yet again, like the memory just keeps flipping–similar to our own memories, which can be flipped completely from the original experience.

     Not only is the display of memories so elaborately done, but the little things you can pick up about the characters and the way they live just by their exterior is so well done. 

     When you watch the movie, you notice the constant changing of Clementine’s hair–she says she loves to change it and can never stick to one color. As the movie progresses and you see more of her personality, you realize the changing of her hair directly correlates to her impulsive nature and her need to never be tied down to one thing. 

     The same goes for Joel: When the people come to his house to do the procedure to remove Clementine from his memory, they make little comments about how it’s so “plain and uninspired,” in his apartment. Similar to his personality, which is the complete opposite of Clementine, he’s very reserved and just kind of a plain guy. This is just one of the many small but significant details that Gondry puts into the film, and that I love.

     But that’s not even close to the end of it. The casting for the movie is beyond perfect. When I think of Jim Carrey I always think of him in his silly roles like “The Grinch” and “Dumb and Dumber,” but to me this is easily his best role. Taking on such a serious role, as someone who mostly does silly things, I can only imagine is very hard, but he makes it look so easy. He did it so well that I cried twice simply because of him and Kate Winslet’s incredible acting. Winslet plays her role as an impulsive and unstable person so well that there were many times that her character made me so angry, but simultaneously sorry for her.

     The end of the movie is just the cherry on top of the really sad ice cream. It wasn’t a bad ending, but it also wasn’t a happy ending. To me, the ending felt hopeful yet somewhat somber. There was hope for their relationship, but I was left also knowing it would fail (again). 

     “Eternal Sunshine of the Spotless Mind” is a must watch if you are a movie analyzer and like to look deeper than what’s on the surface. Overall, I could talk endlessly about how intricate and incredibly done this movie was created. (9.8/10)

Entertainment, Reviews

Hozier 2024 album inspires audience through history and Greek mythology

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By Annika Young, Editor-in-Chief

     Hozier’s 2024 album, “Unreal Unearth,” incorporates mythology and history with modern societal problems, wrapped up in touching lyrics and haunting melodies. His album takes the listener through Dante’s Inferno, uncovering the nine circles of hell in his lyricism.

     Hozier’s music has often had many of the same ideals, focusing on conflict, war, and human greed. ‘Unreal Unearth’ begins with ‘De Selby’ Parts 1 and 2 starting the descent into hell. The songs are based on the novel “The Third Policeman,” by Flann O’Brien. In the novel, De Selby is an Irish philosopher and scientist studying the paradoxical mind. 

     The themes of the novel are reflected in the song, as his lyrics in Part 1 explore identity and reality. While Part 2 Hozier continues to use the motif of darkness, only following the romantic lyrics at the end of Part 1.

     Entering the first circle of hell, “Limbo,” is the song First Time. Limbo is the circle for those who, although never lived in sin, were never baptized. Those stuck in Limbo are cursed with perpetual sadness and a longing for God’s presence in their lives. At first listen, the song is a love song, but the song transforms in the middle where he begins recalling a moment where he was struggling but his mother left flowers on his counter. The song then takes on a new meaning–the circle of both life and death and how interconnected they are.

     “Francesca” is the next song on the album and is also the first song in the second circle, Lust. The circle of lust punishes lovers who have given in to the desires. The song is based on the two lovers, Francesca da Rimini and Paolo Malatesta, from Dante’s Inferno. Both fell in love with each other although Francesca was tricked into marrying his brother. They had an affair, were murdered and were sent to hell for their “uncontrollable lust.” Every lyric Hozier writes relates perfectly to this story and captures the love they had that was torn away from them due to the marriage.

     Continuing the journey in the circle of Lust is the song “I, Carrion (Icarian).” The title of the song is interpreted as Carrion meaning rotting flesh and Icarian meaning Icarus, a figure from Greek mythology. The woman in this story is keeping the world together for him. He even describes it as very heavy, but his love is surface-level. He does not care how hard it is. He asks her to float away with him, even though it is the irresponsible and unrealistic thing to do, and he knows the consequences risking both of their lives. 

     Entering the third circle of gluttony is the song, “Eat Your Young.” The theme of gluttony is immediately apparent in the first three lines, although the song is not discussing gluttony in a typical sense. 

     “Damage Gets Done” is in the fourth circle, Greed. The song is a journey of two lovers who used to feel that they had the whole world just by having each other. Their mindsets changed, and their desire to feel fulfilled resulted in the destruction of their relationship.

     The fifth circle, Wrath, is portrayed by the eighth song of the album, “Who We Are.” Wrath is repressed anger and the song describes the loss of someone who used to be important. The narrator explains how he didn’t see it coming and the relationship burning out by trying to become something it wasn’t. 

     The song “Son of Nyx” is the next song on the album but does not contain any lyrics. This song is listed as a part of the sixth circle, Heresy. The circle of Hersey is for those who have rejected the Christian doctrine. The eerie murmurs are soothing but growing instrumentals mirror those who are imprisoned in this circle in fiery, open tombs.

     “All Things End” is the second song in the sixth circle. This song, as represented by the title, discusses how it is normal for everything to end, and in this case it is referring to a relationship. The idea that a relationship and the promised eternal devotion to another person will end up being broken in some way, which can be seen as the narrator rejecting God or religion because God is seen as “eternally loving.” 

     “To Someone From A Warm Climate (Uiscefhuaraithe),” is in the seventh circle, Violence. This song is immensely complicated, with layers of meaningful lyricism, and it is also sonically beautiful. There are string instruments mixed in with a soft melody. The narrator through the lyrics is comparing their knowledge to how easy it was for them to love each other. The last lyric is the betrayal of his lover cheating on him. The violence in this song is the amount of love he felt for this person and the heartbreak that came from loving someone that much. 

     “Butchered Tongue,” stays in the Violence circle. This song references the loss of a language, in Hozier’s case, Gaelic. The forced and voluntary emigration out of Ireland as well as political efforts to get rid of the language have lessened the use of Gaelic and have led to loss of history and the feeling of having roots in Ireland. 

     “Anything But,” starts the eight circle of Fraud. The verses seem as though they are describing thoughtful things to do for somebody. Although it sounds like a love song, it is actually about rejecting someone, which is why it fits into the circle of Fraud.

     “Abstract” is the next song in the circle of Fraud. This song is about how as a kid Hozier watched someone hit an animal with a car and get out of the car to comfort the animal as it died. His lyrics explain how the person had no intention to hit the animal with the car, it just happened, just like how he didn’t try to fall in love but he simply had no choice but to not. 

     The ninth circle is Treachery and is represented by the song, “Unknown / nth.” The narrator falls in love, and he explains all of the things he would do to reach her. He calls her an angel and she reciprocates, calling him an angel as well; however, the lover has trapped the narrator and won his heart.

     The final song on the album’s initial release is “First Light.” “First Light” symbolizes the ascent, a turning point at the end of the Inferno that leads to the Purgatorio. This begins Dante’s difficult journey upwards. 

     Overall, Hozier’s album “Unreal Unearth” portrays societal issues through intense symbolism, allegories and a comparison to both history and Greek mythology.

Front/Home, Reviews

K-Pop Demon Hunters

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By Lukas Prominksi / Staff Writer

Every year, there’s one movie that really impacts pop culture more than any other. 2022 had “Minions: The Rise of Gru,” 2023 had “Barbie” and 2024 had “Deadpool & Wolverine.”

Every one of these movies actually makes sense to be culture-changing. All of them are based on existing ideas that people recognize, and it makes sense that they would sell so many tickets… So why did this year’s “”KPop Demon Hunters” have such an impact?

It almost seems to defy logic; “KPop Demon Hunters” is an animated film based on no pre-existing media that took the world by storm this year. It has more views than “Squid Game,” “Wednesday” and “Stranger Things,” some of the most culturally significant television shows of all time.

Thinking about it logically, “KPop Demon Hunters” achieved this feat for three reasons: The film is on a streaming service most people have, the film has stunning animation and the film has catchy music.

Start with the first point: “KPop Demon Hunters” is on a streaming service that most people have. According to The Streamable, Netflix is the most subscribed streaming service across America. While Disney+ has 57.8 million subscribers in North America and HBO Max has roughly 60 million, Netflix has nearly 90 million of them across the same demographic. 

Because the film is so accessible to kids looking for something children-oriented to watch, it’s found an audience in young kids who want to later show their parents, siblings and so on and so forth.

But why specifically this movie? That brings me to the second reason the film has had such a big impact:  the animation.

Sony Pictures Animation, the animation studio that produced “KPop Demon Hunters,” has had some major hits lately. While they made plenty of B-movies throughout the mid-2000s and early 2010s, they really started to gain the public’s interest with 2018’s “Spider-Man: Into the Spider-Verse.”

From there, through the critically lauded “The Mitchells vs. the Machines,” and into 2023’s sequel “Spider-Man: Across the Spider-Verse,” Sony Pictures Animation has been bringing animation as a medium forward for the last several years. From the serious animation of the “Spider-Verse” films to the more cartoony “Mitchells” art style, they’ve revolutionized the use of the “2.5D” art style, a type of animation that uses 3D models to attempt to recreate 2D art, allowing for what appears to the audience as realistic depth perception within a 2D cartoon. It’s seemingly genius.

“KPop Demon Hunters” uses the same realistic art style of “Into”/”Across the Spider-Verse,” but instead of using flashing vibrant colors to amplify action sequences, it uses an almost Pixar-like skybox with pretty stars, lighting and effects throughout the air.

While people seemed to love the quick action scenes of the “Spider-Verse” films (especially given that Box Office Mojo calculates “Across the Spider-Verse” as the second-highest-grossing animated film of the year it released), it’s hard to deny that the creators, animators and modelers spent so much time on the look of “KPop Demon Hunters” that it rivals what many (IMDb, for example) consider to be the best animated film of all time.

These pretty skylines, beautiful lighting and great models are hard to ignore regardless of how well-versed in film someone is. Considering how jaw-droppingly pretty it is, it’s no surprise that children would fall in love with the film. I actually, however, don’t even think that’s the biggest thing regarding kids liking the film so much. The movie’s arguably biggest selling point (and what really skyrocketed it into popularity) is the music.

While South Korean pop (K-pop) has definitely seen American charts before (think BTS’ “Butter,” “Dynamite” and BLACKPINK’s “How You Like That”), it’s never been quite as ‘in-the-media’ as it is in relation to this film.

The film starts with an entirely original song by K-pop artists EJAE, Audrey Nuna and Rei Ami. This trend continues throughout the entire film.

Every single song in the movie is sung by real K-pop artists who (after the movie’s release) are Top 50 Most Monthly Listeners list on Spotify. These charts are amplified by the sheer amount of word-of-mouth in relation to the movie. With children having backpacks and water bottles with characters on them and playing the music in the movie, they’re inadvertently convincing their peers to watch the movie.

What’s great about more and more children watching the movie is that they’re exposing themselves to foreign cultures while also having fun. Rumi, Mira and Zoey, the three leads in the film, are actually modeled after studying Korean culture, and side-by-side comparisons between the film and real life are everywhere online.

Without any one of these three things (the ease of access, the beautiful animation and the catchy music), “KPop Demon Hunters” wouldn’t have had nearly the same impact that it’s had in the status quo. Something that would have been nearly unthinkable even just six months ago is now our reality, which is actually a great sign for cinema as a whole.

Getting children away from cinematic universes and sequels and towards original ideas is a great way to potentially expose them to films that they wouldn’t have considered before and to expose them to different cultures.

Entertainment, Reviews

‘Bones and All’

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By Lukas Prominski

     Luca Guadagnino’s “Bones and All” is one of the most thrilling movies I’ve ever seen. For a movie about cannibals on the run and shockingly little action, the intense moments that it does have are extremely well done.

     The film stars Timothee Chalamet and Taylor Russell as the story’s lead protagonists. It opens with Russell’s character Maren sneaking out to hang out with friends, only to bite off the hand of one of the girls she’s with. 

     Soon after, her father leaves her to fend for herself, citing the fact that he can’t deal with “whatever problem she’s got,” while handing her an address to find her mother, which leaves her in an unfortunate spot, unable to provide for herself and find friends.

     Eventually, she meets actor Chalamet’s character Lee, another cannibal who is also, coincidentally, on the run with no friends or family. The two hit it off immediately, starting a long road trip for Maren to find her long-lost mother. 

     They encounter several other characters on the way, but, staying spoiler-free, none pose any actual importance to the plot other than her mother.

     The acting performances from the two leads are phenomenal. Chalamet plays a very stone-cold teenager, hardened by the world around him. It’s a nice contrast from the normal characters he plays, like the lead in “Wonka” or the laid-back “cool kid” in “Lady Bird.” Despite this, he plays the part well. 

     Russell’s character, on the other hand, hasn’t had the same amount of experience as Chalamet’s, and the dynamic is both written and directed very well.

     The romance that blossoms between the two characters is great as well. Guadagnino’s directing really portrays how they feel about each other, despite the fact that there isn’t a ton of dialogue in the film.

     The cannibalism in the film is also really well done. The gore, while very realistic and graphic, provides an emotional reaction from the viewer.

     Not only that, but the cannibalism in the film as a whole is up to interpretation. Obviously, there’s the interpretation that what happens in the film is real, but the cannibalism could also be a metaphor for anything from love to desire.

     Ultimately, Luca Guadagnino’s “Bones and All” is a great watch. Chalamet’s and Russell’s performances are great, the writing is phenomenal and the metaphors that arise from the premise of the film are very well done as a whole.